[KACHALOV, Vasili.] An original studio photographic portrait of
the actor Kachalov; boldly signed; [c. 1923]. 6" x 9"; minor toning;
and wear to margins. $150
A half-length portrait, signed "[V. Kachalov]" across the breast. Kachalov played some 55 roles as a leading actor at the M.A.T. between 1900 and 1948. He was the original Tuzinbach and Trofimov in The Three Sisters and The Cherry Orchard and the title role in Ivanov; the Baron in the premier of Gorky's The Lower Depths; and Hamlet in the famous Craig-Stanislavsky collaboration of 1912. He also appeared in several new Soviet dramas.
[KAMERNY THEATRE.] [POLITIUESKIE OTKLIKI ZAPADNOY PRESS NA GASTROLI MOSKOVSKOGO POSUDARSTVENNOGO KAMERNOGO TEATRA.] [Moscow]: n. p., 1924. Original printed wraps, slightly worn; stapled; repairs to two tears from gutter of terminal leaf. $250
The sole edition of this collection of political comments of the Western press on the tour of Tairovs Kamerny theatre in 1923. With an introduction and a very detailed list of press notices concerning the Kamerny theatre, divided out by country. Very scarce, not in Dana.
[KEAN, Edmund.] An article on Kean in Scotland, in a complete issue of Londons The Times, 15 April 1819. Large folio; light foxing; tax stamp in red; central horizontal crease. $30
The article states, in part: Kean... arrived in Dumfries on Saturday... on his way to Edinburgh, where he has been engaged to perform.... In the Edinburgh Theatre on Monday, Mr. Kean appeared as Richard III. The house was full..., we have seen it fuller for Rob Roy. It goes on to state ... our northern metropolis took no share in his southern squabbles, and reports on his reception in four other performances.
[KEAN, Edmund.] A playbill for Kean in the name role of Baillies De Montfort at the Theatre Royal, Birmingham, 4 July, . Pale-blue stock; nearly fine. $85
[KEAN, Edmund.] A Covent Garden playbill announcing Kean as Mortimer in Colmans The Iron Chest, 10 January, 1828. Minor dusting and foxing, primarily to edges. $60
The second piece on the bill was the pantomime Harlequin and Number Nip which incorporated grand naumachia and rope dancing by Il Diavolo Antonio and the celebrated Mr. Wilson.
[KEAN, Edmund.] A Drury Lane playbill announcing Kean as Sir Giles Overreach in Massingers A New Way to Pay Old Debts, 29 February, 1816. Merest hint of foxing; near fine. $50
[KELLY, Frances Maria.] A lithographed portrait, "Miss
Kelly as Annette in the Melo Drama of the Maid and the Magpie." [London:
Englemann, Graf, Coindet, 1830.] 8" x 10 3/4"; trimmed to platemark;
minor dusting to corners; tipped to an album leaf. $25
A full-length portrait of the actress, in costume, standing, arms raised in gesture.
KELLY, [Michael]. The sheet music, Ah Where Can I Turn for Relief. Boston: Gaupher, [c. 1815]. Large 4to; removed, two pages of engraved text and music; some wear and reinforcement at gutter. $30
The words and music to the composition sung by Mrs. Mills in the grand dramatic romance of the Forty Thieves.
A lithographed portrait, Mr. Charles Kemble as Pierre. [London: J. Dickinson, c. 1830.] 9 3/4 x 13, plus margins; title and inscription to lower margin. $40
A large portrait of Kemble as Pierre in Otways Venice Preserved -- bust, to the front, head turned nearly to the left, wearing a cap with feathers and a chain with medal.
[KEMBLE, John Philip and Dorothea JORDAN.] A Drury Lane playbill for Kemble in Sheridans The School for Scandal and Jordan in Lloyds The Romp, 9 February, 1791. $95
[KENDAL, Madge.] A sepia photographic portrait of Kendal, mounted
to a periodical plate, [c. 1882]. 3 3/4" x 4 1/2"; mount 5 3/4"
x 9 1/4"; minor wrinkling. $10
A bust portrait of the actress in Smith's Uncle's Will.
TOO MANY COOKS. A Musical Farce. As Performed at the Theatres Covent-Garden and New York. New York: D. Longworth, 1805. Small 12mo; disbound; some foxing. $18
Kenneys two-act farce, music by King, premiered in London early in 1805. Both the London and New York casts are printed, as well as lines of verse extolling the publishers Dramatic Repository.
THE WORLD. A Comedy... Scales's Edition. London: for J. Scales, n. d. [c. 1808]. 12mo; disbound; title-page embrowned at edges; light offsetting; uncut and partly unopened. $60
A 24-page prose synopsis, sold to accompany the Drury Lane performances of Kenney's comedy. The play has the unhappy distinction of being singled out for Byron's satire in English Bards and Scotch Reviewers: "Kenny's World -- ah! Where is Kenny's wit? -- /Tires the sad gallery, lulls the listless pit." These Scales editions were produced either very hurriedly in advance of the full play texts or cheaply for an indigent readership. Uncommon.
KENRICK, [William]. FALSTAFFS WEDDING: A Comedy. Being A Sequel to the Second Part of the Play of King Henry the Fourth. The Second Edition. London: J. Wilkes [and others], 1766. 12mo; modern wrappers; foxed; closed tear, from gutter, to terminal leaf; reinforcement to verso of title-page. $40
Kenricks preface declares this amusing imitation of Shakespeare was written in 1751, that it remained nine years in manuscript, and then a further six years passed before he allowed it to be published. It premiered at Drury Lane in April 1766, by which time it had undergone considerable changes to accommodate it to a theatrical audience.
[KENRICK, W[illiam]. THE WIDOWD WIFE. A Comedy. A New Edition. London: for T. Davies [and others], 1768. Disbound. $30
First performed at Drury Lane in 1767. Kenrick and Garrick had seemingly settled their quarrels, but another broke out over the division of this plays profits with the playwright challenging the actor to a duel (which never took place).
[KERHOR, Jean.] The chromolithographed box label and five silhouette sheets to Glories de France. Ombres.., [c. 1895]. Label 19 1/2 x 15 1/2, elaborate decoration and bright colors; silhouette sheets, 12 x 8 to 19 1/2 x 13 1/2, to tissue stock; the set near fine. $175
The central image of the label is a shadow scenario of galleons at sea and the gold-highlighted stage front is a stylized scene incorporating Japanese motifs and text. The five sheets of shadow puppet scenes are from French history (one with Napoleon). Remarkably fine and well preserved.
KERNDÖRFFER, [H. A.]. CARL DER TAUSENKÜNSTLER, oder; Sammlung einfacher und künstlicher, grossentheils neuer mechanischer, chemischer, magnetischer und kartenkunststücke und arithmetischer Belustigungen, zu angenehmen geselligen Unterhaltung. Leipzig: Carl Cnoblock, n. d. [c. 1830]. 8vo; original decorative tan boards, slightly spotted; ends rubbed; lightly foxed throughout. $525
KING, M. P.
The sheet music, The Poor Orphan Maid, A Balled [sic]. Boston: G. Graupner, [c. 1810]. Large 4to; single leaf; engraved music and text; light toning. $40
The words and music to a piece sung by Mrs. Graupner at the Boston theatres and published by her husband. The Graupners made their American theatrical debuts in Boston in 1794 and 1796.
[KING, Matthias.] A juvenile drama portrait, Mr. King as the Emperor Charlemagne (at Drury Lane). [London]: J. Fairburn, 1838. Minor dusting and wear to margins; hand colored. $50
The clown and actor is shown full length in crown, long cloak, and armor, in left profile. His right arm is raised and in his left he grasps a spear.
A photographic postcard of Kosloff in costume, boldly signed, and dated 12 December, 1912. Verso unused; nearly fine. $100
Kosloff was one of the great male dancers, trained by Tikhomirov, of the Moscow ballet.
KOTZEBUE, [August von]. ADELAIDE OF WULFINGEN. A Tragedy . (Exemplifying the Barbarity Which Prevailed During the Thirteenth Century.) New York: Charles Smith and S. Stephens, 1800. Disbound; some embrowning. $40
KOTZEBUE, [August von]. FRATERNAL DISCORD; A Comedy.... Translated from the German.... New York: Charles Smith, 1801. Disbound; some foxing; lower (blank) gutter torn to final four leaves. $40
A translation by Charles Smith, produced for John Hodgkinson to perform on tour and in competition with Dunlaps repertoire of Kotzebues plays at New Yorks Park Theatre.
KRONACHER, Alwin. DIE KUNST DES REGISSEURS. Ein populärer Vortrag. Heidelberg: Herman Meister, 1913. Printed pale-red wrappers; backstrip sunned and worn; internally very good. $20
An address on the art of the stage director given at Baden-Baden in 1913. Kronacher was at the time the dramaturg and director at the Hoftheater Karlsruhe, he later went on to Leipzigs Altes Theater (where he directed the first performance of Brechts Baal).
[LE KURSAAL.] An illustrated program for Le Kursaal, Paris, the week of 26 September, 1913. Pictorial wrappers, printed in brick red; two halftone portraits. $30
[LABLACHE, Luigi.] A holograph document, signed by Lablache. London: 10 July, 1830. Oblong slip (7 1/2 x 3); gentle vertical creases; embossed two-shilling stamp. $200
[LABLACHE, Luigi.] A partly printed document, completed in manuscript, signed by Lablache. Paris: 31 October (?), 1834. Small 4to leaf; creased to quarters; very good. $200
LA CHAUSSE, Pierre-Claude Nivelle de. LE PRÉJUGÉ A LA MODE, Comedie. Paris: LeBreton, 1735. First Edition. 16mo; disbound; creasing to fore-edge of title-page. $45
A sentimental verse drama, first produced at the Théâtre Française in February, the third of the authors comedies larmouantes (tearful comedies) which aimed to satisfy the taste of the bourgeoisie which at the time preferred sentiment to realism. This play led to LaChausses election of the Academie Française.
[LACY, Michael R.]
A Covent Garden playbill announcing The Coiners, 26 March, 1833. Pale-blue stock. $18
The second performance (it premiered three days earlier) of this opera with music by Auber. It was followed by Jerrolds Nell Gwynne.
[LACY, M. Rophino.] CINDERELLA: or, The Little Glass Slipper. An Opera.... Music by Rossini. New York and London: Samuel French, n. d. [c. 1875]. 12mo; original printed salmon-colored wraps; some dusting and fraying to covers. $25
The text to Lacy's pantomime adaptation (1831) of Rossini's opera. The cast lists for performances at Barnum's Museum (1856) and the Holiday Street and Chestnut Street theatres are printed.
[LAFERRIÈRE, Aldolphe.] A complete issue of Le Trombinoscope devoted to Laferrière. [Paris: F. Debons, 1873.] 4to; engraved decorative-banner title and caricature to front; three stitching holes to left margin; light foxing and dusting. $40
The entirety of this four-page satirical periodical is given over to an account of Leferrière. The first page is illustrated with a caricature of the comedian.
[LAFERRIÈRE. Louis F.] A lithographed portrait of Laferrière in Ancelots Madame Roland. Paris: Marchant, [c. 1841]. 6 1/4 x 9 3/4; trimmed to platemark; near fine. $18
The actor is depicted full length, standing, in costume, right hand inside his coat front and left arm down by his side (hand holding a hat).
[LAFON, Pierre.] A two-page autograph letter, signed, from Lafon to Paul Henry Marron. N. p., 7 July, 1824. 4to; original folds; small portion of integral leaf excised to remove seal. $75
[LAFON, Pierre.] A lithographed portrait of Lafon "rôle de Dom Pédre dans Pierre de Portugal." Paris: Noël, [c. 1823 (?)]. 10 1/4" x 15 1/2"; light foxing. $25
LA HARPE, [Jean-François de]. LES MUSES RIVALES.... Paris: Pissot, 1779. First Edition. Disbound; some foxing; signatures separating; engraved headpieces. $25
LAPOMMERAYE, Henri de. LES AMOURS DE MOLIERE. Paris: Librairie
des Bibliophiles, 1878. 16mo; pale-green printed wraps; dampstained at spine;
some dampstaining at foot; in glassine; untrimmed. $30
One of 520 copies. A 46-page booklet issued during the celebration of the Moliere Jubilee the week of 15 May, 1873.
[LAROCHE, Carl.] An engraved portrait of Laroche als König Phillipp und armer Poet. Vienna: Theaterzeitung, [c. 1840]. 6 3/4 x 9 3/4, plus margins; colored by hand; a bit of light spotting and offsetting. $30
A complete issue of Le Trombinoscope devoted to Laurent. [Paris: F. Debons, 1873.] 4to; engraved decorative-banner title and caricature to front; three stitching holes to left margin; a bit of foxing. $40
The entirety of this four-page satirical periodical is given over to an account of Laurent. The front is illustrated with a caricature of the actress.
LECOMTE, (?). LANCIENNE ET LA NOUVELLE COLLECTION DES TOURS DE PHYSIQUE. Les Plus Récreatifs et les Plus Surpresenants mis à la portée de tout le monde. Laterne Magique & Fantasmagorie. Les Renseignements les plus Complets sur la Double-Vue Dévoilée. Le Tout pour sAmuser et Rire en Société. Enrichi de plus de 50 figures pour en faciliter lexécution. Paris: LeBoilly, n. d. [c. 1890]. 12mo; modern wrappers; frontispiece; vignette illustration to title-page; numerous figures to plates at the end; untrimmed. $60
[LECOMTE, L. -Henry.] TALMA EN PARADIS. A-Propos en Vers Libres Composé en 1826, Publié pour la Première Fois avec une Préface. Paris: [for the author], 1900. Original tan wraps; removed from a bound volume; printed to fine paper. $35
LEEDS, Josiah W. THE THEATRE: An Essay Upon the Non-Accordancy of Stage Plays With the Christian Profession. Philadelphia: the Author, 1886. 12mo; original cloth; title in gilt to upper cover and spine. $30
A Quaker tract condemning the stage, opera, and ballet. §Silvester 297.
[LEFEBVRE, Constance.] A lithographed portrait, Mlle LeFevre [sic] rôle de Zerline, dans Fra-Diavolo. Paris: Fernique, [c. 1856]. 8 x 11 1/2, including margins; colored by hand. $30
The dramatic soprano is shown, full length, in the costume of the heroine of Aubers opera as presented at the Théatre de lOpera Comique.
LEFÉVRE, [Pierre F.]. ZUMA, Tragedie
. Paris: Duchesne, 1777. First Edition. Disbound; lightly foxed throughout; bottom fore-corner of terminal leaf cut away with no loss. $30
The last of five tragedies by Lefévre (who retired from playwriting at the age of 30 and became a secretary of the duc d Orleans). It was acted 28 times in 1777-87.
A complete issue of Le Trombinoscope devoted to Lemaitre. [Paris: F. Debons, 1872.] 4to; engraved decorative-banner title and caricature to front; four stitching holes to left margin; a hint of foxing. $40
The entirety of this four-page satirical periodical is given over to an account of Lemaitre. The front is illustrated with a caricature of the actor.
LEMAITRE, Jules. IMPRESSIONS DE THEATRE. Sixiéme Série. Paris: Oudin et Cie, 1892. First Edition. Small 8vo; original printed wraps; slight chipping to edges and ends; light foxing. Signed and inscribed by the author. $35
Amongst this important collection of essays are ones on the Théâtre Libre, Shakespeare, Balzac, Rousseau and the theatre, Ibsen, and Euripides. This copy inscribed by the author.
LEMAITRE, Jules. IMPRESSIONS DE THÉATRE. Septieme Série. Paris: Oudin et Cie, 1893. First Edition. Small 8vo; printed wrappers, fragile and worn; uncut and unopened; inscribed. $35
Noted essays and reviews of Ibsen, Racine, Aristophenes, and Zola, amongst others, by the critic and dramatist. Inscribed and signed by the author. §Firkins, p. 26.
[LEMERCIER, Marie.] An engraved portrait, Melle. Lemercier, rôle dEstrella, dans Ne Touchez pas à la Reine. Paris: Martinet, Hautecoeur, [c. 1848]. 6 1/2 x 10, including margins; colored by hand. $20
The soprano is depicted, standing, in costume in Boisselots comic opera (1847).
LEMERCIER DE NEUVILLE, [Louis]. LES JEUX DE L'AMOUR ET DU BAZAR.
Comédie de Moeurs.... [Paris (?)]: Partout et Nulle Part, 1883. 12mo;
green quarter calf and decorative velvet cloth over boards; marbled endpapers;
printed to verge; contents fresh. $95
The scarce edition of this one-act comedy, written by the puppeteer Lemercier de Neuville for the Théâtre Érotique. It opens with an "avertissement" concerning the play and the théâtre érotique. §Not in Ransome.
LEMERCIER DE NEUVILLE, L[ouis]. LE MANDAT IMPÉRATIF. Bordeaux: n. p., 1872. 12mo; original yellow printed wrappers; light ink stains to front cover; frontispiece; partially unopened. $30
[LEMONNIER, Louise T.] A lithographed portrait, "Mme. Lemonnier, Artiste Societaire du Théâtre Royal de l'Opera Comique, Rôle d'Elisabeth dans Leicester." Paris: Noel et Cie, [c. 1825]. 10 1/2" x 15 1/2"; colored by hand. $40
This hand-colored lithograph depicts the actress full length, in costume, one arm to her side and the other raised to her waist.
[LENOBLE, Eustace.] LES DEUX ARLEQUINS, Comedie. Paris: Ruault, 1776. Disbound; engraved vignette to title-page; stain to margins of final signature. $50
[LEPEINTRE, Emanuel A.] A lithographed portrait of Lepeintre Jeune in an unidentified role. Paris: Marchant, . 6 1/4" x 9 3/4" (plus margins); minor dusting to margins. $30
[LE SAGE, Alain-René.]
CRISPIN, RIVAL DE SON MAITRE, Comedie.... [Paris: Duchesne, c. 1770.] 12mo; disbound; very good. $16
A one-act comedy, featuring the comic valet Crispin, first performed in 1707.
LESSING, Gotthold E. MISS SARA SAMPSON. Ein Burgerliches Trauerspiel....
Wien: n.p., 1771. Small 8vo; disbound; a bit of foxing to title-page; printer's
device to title-page; engraved pictorial head and tail pieces; terminal
leaf repaired at gutter. $40
An early edition (written in 1755) of Lessing's domestic tragedy, owing much to George Lillo and the novels of Samuel Richardson. Highly popular in its day it pioneered German bourgeois theatre.
[LESSING, Madge.] A photographic postcard, inscribed and signed, [c. 1903]. Adhesion marks to portions of margins. $10
A full-length image of the Edwardian actress and music hall favorite. Signature difficult to read against dark background.
[LEWIS, (?)]. A juvenile drama portrait, Mr. Lewis as William the Conqueror. [London]: William Cole, [c. 1824]. Colored by hand, vibrant; mild dusting to edges; else very good. $85
The actor stands, legs apart, in armor and plumed helmet. His arms are upraised, one holding a shield and the other lifting a sword. Fitzballs William the Conqueror premiered at the Royal Coburg in May 1824. Cole was in business from 1821 and for a time in partnership with Hodgson.
[THÉATRE LIBRE.] LE LIBRE ILLUSTRÉ. Texte par Rodolphe Darzens. Dessins de Lucien Metiret. Soiree du 27 Novembre, 1889. Paris: Dentu, 1889. Original color-printed decorative wrappers; cover edges browned and chipped; one portrait plate; vignette illustrations to text; foxing to margins. $40
This souvenir of the Théatre Libre was issued to accompany the production of Anceys LEcole des Veufs and Bois Au Temps de la Ballade. It includes synopses of both pieces (with numerous vignette illustrations) and biographical sketches of both authors. Inserted is a contemporary holograph document on the publishers letterhead.
[THEATRE LIBRE.] LE THEATRE LIBRE ILLUSTRÉ. Texte par Rodolphe Darzens. Dessins de Lucien Métivet. Soirée du 30 Mai, 1890. Paris: Denhu, 1890. Original color-printed decorative wraps; cover edges chipped; tear at lower gutter of front wrapper; two portrait plates; vignette illustrations to text; foxing to margins; unopened. $45
This souvenir of the Théatre Libre was issued to accompany the productions of Ibsens Les Revenants (Ghosts) and Céards La Pèche. It includes synopses of both plays (with a vignette illustration to each) and biographical sketches of the playwrights (that on Ibsen with one portrait plate and four vignette illustrations).
LINTER, Ricardo. The sheet music to The Real Scotch Polkas. Toronto: A. & S. Nordiemer, [c. 1848]. Folio; chromolithographed pictorial and decorative upper cover; removed; moderate staining and finger soiling; four pages of music. $75
As danced at the ballo and opera houses of Milan, Paris, Vienna, London, &c. The color-printed cover shows a male and female dancer in Scottish dress. An ornate border of gold scroll, foliage, and thistles surround the image of the dancers.
[LISTON, John.] A lithographed portrait, Mr. Liston, as Tristram Sappy, in Deaf as a Post. [London: Ingrey & Madeley], 1824. 9 1/2 x 13 1/2; colored by hand; creases and soft folds; four short, closed marginal tears (with cellotape reinforcements to verso). $55
A full-length portrait of Liston in Pooles farce, colored by hand. He is depicted full length, standing, full face, left hand to his chin.
A playbill for Liston at the Haymarket, 7 October, 1822. Original posting hole near head; very good. $25
Liston appeared in Pocock's Rob Roy MacGregor, Dibdin's Harlequin Hoax, and Lunn's Family Jars. Mrs. Garrick is also announced in the third piece.
[LITOLFF, Henri.] A complete issue of Le Trombinoscope devoted to Litolff. [Paris: F. Debons, 1875.] 4to; engraved decorative-banner title and caricature to front; three stitching holes to left margin; light foxing and dusting. $40
The entirety of this four-page satirical periodical is given over to an account of Litolff. The front page is illustrated with a caricature of the pianist and composer.
LONGFELLOW, Henry Wadsworth (Editor).] MANUEL DE PROVERBES DRAMATIQUES. Portland: Samuel Colman [and] Brunswick: Griffins Press, 1830. First Edition. Small 8vo; original cloth, faded, worn, and a trifle stained; upper cover detached; rear hinge tender; paper label to spine, worn; backstrip worn; scattered, moderate foxing; untrimmed. $450
The first edition of Longfellows second published work (preceded solely by the Catalogue of the Library of the Peuciniun Society of 1823), selected and adapted by him from Carmontelles Proverbes Dramatiques. It contains a five-page preface (in French) by Longfellow, followed by 14 proverb-comedies played (as the editor states) in Parisian social circles at the end of the 18th century, the idea being to guess the proverb from the dialogue and stage representation.
LÓPEZ DE AYALA Y HERRERA, Alderado. EL TANTO POR CIENTO. [San Pedro: Juan Nepomuceno del Valle, 1869.] 4to; disbound; text in double columns; lightly foxed. $45
[LOVE, Emma.] A Covent Garden playbill announcing Loves benefit, 21 June, 1825. Central horizontal fold; else near fine. $20
The actress and singer was seen in Paynes Charles the Second and Clari. The other performers included Fawcett, Foote, Kemble, and Cooke.
Love was featured as Apollo in OHaras Midas, Mary in Paynes Charles the Second, and singing Buy A Broom. An uncommonly tall bill, presumably for posting.
[LOVEDAY, W.] A one-page autograph letter, signed. Canterbury: 29 May, 1804. 4to; original folds; address to integral leaf. $40
[LÖWE, Johann.] A chromolithographed portrait of Löwe as Alboin. Vienna: Theaterzeitung, [c. 1845]. 9" x 7 3/4", plus margins; colors bright; gentle central, vertical crease. $40
LYLE, Gaston. The sheet music to The Flying Trapeze Song. New York: C. H. Ditson, . Folio; engraved pictorial and decorative cover; three pages of engraved music; a bit of fraying to fore-edges and light foxing and finger soiling, primarily to music leaves. $150
The words and music to the well-known song -- credited by Hischack as arguably the most famous circus song in American popular music. It was introduced by the British music hall star George Leybourne (who wrote the lyrics) in about 1865. The illustration to the front shows a trapeze artist in mid-flight.